A trailer/intro for my YouTube series "Scoring Points" on everything music in film. Video essays on film scores with a MIDI mockup/recreation of one of my favourite cues from each score. Episodes include a wide variety of movie and music genres, so there's something for everyone! Check out previous episodes below: EP1 - The Matrix https://youtu.be/44heSbKIBxo?feature=shared EP2 - WALL•E https://youtu.be/umfUawa3Ebw?feature=shared EP3 - Arrival https://youtu.be/J6sT2CdEEF4?feature=shared EP4 - Final Destination https://youtu.be/QVJmUk6DnvI?feature=shared

Artist Claudette Johnson uses painting and drawing as a means to explore representations of Black women (and sometimes men). Here she talks about how her personal experience of being a Black woman and an Artist has shaped her work. Johnson's subjects are people she knows well, often drawn from life; a process which allows her to project the presence of the person she is drawing. Each large-scale artwork boasts a rich colour palette. Completed at the time of filming is her most vibrant yet, 'Kind of Blue', which features throughout the film. Subscribe for weekly films: http://goo.gl/X1ZnEl To license Tate films please email film.licensing@tate.org.uk

elliotnicklin.com #MyBridgertonScore

Bespoke commission for Everyone+Everything Festival, an online creative arts showcase with all proceeds going to a handful of amazing mental health charities. This piece is comprised of 2 simultaneously playing constituent pieces, by the names of "Everyone", and "Everything". They describe disparate elements of our existence independently from one another, and weave in and out of each other when played in symbiotic harmony, together describing a new narrative.

Short documentary on trans identity and its relationship to family